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In the Ableton Live package, navigate to Contents > App-Resources > MIDI Remote Scripts.In the context menu, click on Show Package Contents.

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Open your Applications folder and right-click the Live 9 / 10 software icon.

In our example, we copy the Maschine_JAM folder from within the Ableton Live 10 folder.

Copy the folder corresponding with your MASCHINE controller to your clipboard, by right-clicking on it and choosing Copy.

Ableton Live 10 must use the lower Maschine_JAM folder. Ableton Live 9 must use the upper Maschine_Jam folder. Note: Most Template Support Files reside in the Ableton Live 9 folder, these also work with Ableton Live 10.

Locate the Template Support File that corresponds with your MASCHINE controller model:.

Macintosh HD > Applications > Native Instruments > Controller Editor > Template Support Files > Ableton Live 9 / 10

Navigate to the following folder, based on your version of Ableton Live:.

Ensure that Ableton Live is not running.

This will allow Ableton Live to recognize your MASCHINE hardware as a control surface.

#Ableton live 9 jumpstart download how to

In this section, you will learn how to copy / paste the MASCHINE MIDI Remote Scripts into the Ableton Live app.

#Ableton live 9 jumpstart download manual

Live 9.7 will download automatically, or if you’re set to manual updates, you can grab it on your account page.This section applies to Ableton Live 9 / 10 and MIDI Control Templates for the following MASCHINE controllers: Its previous behavior can be toggled on via the ‘Phrase Sync’ option in the Fixed Length menu. Pad sensitivity tweaks based on context to “improve playability” (this is actually pretty subtle, but … well, if it works you won’t notice it, you’ll just be happier)Īlso, there are numerous improvements to the display, including color matching.Īlso, both devices have a more sensible way to treat Fixed Length recordings – that’s when you set the length of a recording in advance, then play:īy default, Fixed Length now respects the Launch Quantization setting. Visual feedback with clip phase and count-in so you can see where you are without looking at the screen:Ĭolor pads, tracks, and clips via Push (and not only with the mouse) Select and arm audio and MIDI inputs from the hardware: Push 2 is mapped to that slicing, but you also get:Ī new drum layout with 16 pre-defined velocity levels:

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Since the point of Link synchronization is jamming, that’s a big deal.Įveryone also gets a long, long list of tweaks and fixes – see the release notes for full details. The beat time of connected apps in a Link session will be aligned when starting Live’s playback with Tap Tempo or via Looper. (Slap those Lederhosen, slice that track!)Īlso, this is actually huge for people doing serious live performance – Link support is significantly enhanced if you use Tap Tempo or set tempo with the Looper. Or if you’re McRorie, you could set up a custom workflow mapped to your pants.

But you can also use it if you’re on easyJet working on a laptop, with your trackpad. So yes, it’s mapped to Push 1 and Push 2. You can now slice in different ways:Īll of this works in Simpler. We did a preview of the slicing and beatmaking features in Live 9.7 previously:Ībleton Live 9.7 in beta, with slicing and beatmaking newsīut let’s quickly run down what’s in 9.7 depending on which hardware you’re using (or not).Īctually, I think this is the most important. (A public beta was released over the summer.) It’s got a host of improvements for the latest Push hardware, but there are advantages for everyone. Ableton Live 9.7 – the final stable download – is available today.